Over and above my teaching in theatre disciplines like the ones below, I have a diploma in existential dialogues and gestalt therapy and works with arising life issues.

I also coach actors and directors that feels stuck in their creativity and have the need for a new perspective.

I work fast and have a very wide range of depth and creativity that is activated by the process in the room.

Movement based performing arts
How do I move? How do I relatera to my body in the room? We´re working with time, the structure of the room  and the space, the architecture, the different levels etc. 

We also learn how to create an autistic and believeable character out of the physicality. How do I use my body? How do I walk. Sit. Run and laugh?

Devising

How to create a unique, personal performance from a theme! Movement based and sometimes with a text, sometimes without. I have a deep knowledge of Viewpoints and work with a mix of that method and Jaques Lecoq tools.

Basic acting studies
How do I come in on stage. Be light, be open minded, don´t be pretentious. Acting is about learning how not to act.

Lee Strasberg method

Go deeper within the knowledge of yourself and the text. Work with sense and emotional memories to get in touch with something profound within you.

Awareness of the norm
What is norm? Who is norm and why? Different exercises will help the students to find out about the power in the room. Who has the power? Who gives it away? Who takes it? Who does not want it? And how does this effect the others in the performing space?

Queer and – Drags
Find your inner man/woman. What do I find within myself when I´m working with gender? Who am I as the other gender and how do I behave as this other character/person?

Clown
How do I find my inner vulnerability to be able to be a thruthful clown character? How to work with comedy – what is comedy?

Masks
How to make a mask come alive on stage.